The 18 available modules fall into a number of categories: Signal, Spectral Domain, Phase, Spatial Domain, Waveform and Other. SuperVision is a single plug‑in, which can be placed as an insert anywhere it’s required to visualise your audio signals, but is actually an assemblage of modules that the user can configure and customise. SuperVision provides a powerful and flexible suite of visualisation modules including Loudness (top left), Chromograph (top right) and Multipanorama (bottom left) amongst many others. Cubase 11’s new SuperVision plug‑in provides an excellent starting point in that regard. Acquiring top‑notch audio visualisation skills might, therefore, come a close second to ‘golden ears’ on your list of desirable superpowers as a budding mixing or mastering superhero. While there is truth in the old adage that if it sounds right, it is right, a visual representation of your audio can offer all sorts of helpful insights. For example, Elements now includes side‑chaining options and Artist now includes support for VariAudio 3, ARA2 and unlimited audio, MIDI or instrument tracks. And while not all of these new features trickle down to the Artist and Elements versions, in both cases, there are some nice surprises. That said, on paper, for users of the Pro version, the list of ‘new and improved’ in this upgrade is impressive. While v11 brings all sorts of worthwhile new developments, if you are part of that large user‑base and Cubase helps put food on your table, you can breathe easy moving from any recent (10 or 10.5, for example) version to Cubase 11 is a smooth and painless transition. The current DAW/sequencer marketplace includes many excellent choices, and Cubase is undoubtedly one of the ‘giants’ amongst this product group, with a long history, a large user base, and a comprehensive feature set. So, just what are Steinberg adding in Cubase 11 that might entice existing users to upgrade, or tempt potential new users to take the plunge? On The Shoulders Of Giants Those happy with their current version can, of course, choose to stick but, when presented with a long list of improvements and new features, the temptation to twist can be high. These regular annual upgrade cycles bring out different responses in users. Cubase 11 - in Pro, Artist and Elements versions - is therefore now with us. For many years, Steinberg have been very consistent on this front, with annual upgrades to Cubase released towards the year end. While death and taxes may still be the trump cards in the game of certainty, the inevitability of a tempting upgrade to your favourite music production software can’t come far behind. Most people are not going to buy unless the price you're selling for is competitive with (read: cheaper than) a crossgrade price, as many qualify for crossgrade pricing from Steinberg - which brings down the price of Cubase Pro to that of Cubase Artist.Īlso, buying form you means foregoing a Grace Period upgrade to Cubase Pro 12, so you have to factor that into cost, as well.Steinberg turn the dial up to 11 with a stonking new version of Cubase. Not many people will want HALion 6, so keeping it on the same dongle to keep the price up is going to make it a much harder sale (since they'll have to pay to upgrade both to get off the dongle, moving forwards). One can already buy Cubase Pro 11 for $465 Tax-Free, which, with a dongle is still below your price. $500 is too high considering how often Steinberg has sales, and the fact that Euro retailers will discount by a further 10%+ while charging no Taxes to US residents. You're better off buying a second dongle and moving HALion off and selling Cubase on its own for a competitive price.
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